Early Technology Television
Collection 1930 - 1945
Michael writes: To the best of my belief:
- The Early Technology TV collection is the largest collection of early televisions in private hands in the world today. There are 26 different televisions, 23 British (including 2 low definition 30 line sets), 3 American TVs and one US television camera with a pre-war iconoscope.
- It is the third or possibly the fourth, largest single collection of unduplicated models from this early period in the world today. The larger collections are all in museums or foundations.
- If it is split up and sold in lots no similar sized collection of pre-war models will ever be formed again - that is my belief. The 1990s was the last chance before all the original pre-war owners died. Today surviving pre-war televisions are rarer than Stradivarius violins and the small number remaining in private hands diminishes each year as museums around the world compete to buy up those few that come on to the market.
I know that the collection as a whole is worth much more than the sum of its parts and it will be offered first for sale as a collection and if it fails to reach the reserve
price, then it will be offered for
auction in individual lots.
Early Technology Television Library
To the best of my belief:
The television library is unparalleled
anywhere in any library in its breadth and scope. I think it is the
only specialist library in this field that is strong in both early British
and early US television books and ephemera and also includes very scarce
pre-war material from both France and Germany thereby covering all the
main countries in the world that were developing or making television
in the 1930s. If the collection of
prewar televisions is more than its individual TV sets, the library is
doubly so and more. Complete, it contains magazines published in the
UK and the US from every year from 1926 to about 1960 so it is probably
an unduplicated reference source from this fact alone, (see analysis
charts below). Once the different magazines are sold off that continuous
yearly reference source, including the war
years, is lost. On their own as a lot, pre-war television magazines
from France, though they may be as rare as hen's teeth, are probably
not worth any great fortune, but as a part of the whole library they
fill a critical hole. The same could be said of the very scarce
prewar German material and the brochures, reports and ephemera on the
world's first colour television system developed by CBS in the late
40s and very early 50s. The library contains over a hundred original
pre WWII television sales catalogues and dozens of pre war schematics
from both the US and the UK and so on. I could give dozens of similar
examples.
In the British section of the library
there is the largest collection of weekly television schedules known
from 1930 - 1932, the beginnings of television broadcasting, when Baird
was using the BBC transmitters himself, broadcasting television on 30
lines. This is followed by photocopies of the private diaries of Eustace
Robb who took over the running of the Baird low definition transmissions
as the BBC's first television producer, from 1932 - 1935 together with
sample programme transmission schedules, directions and technical details.
Photocopies they may be, but they are pure history, highly critical
of the BBC and Reith, information that is not recorded elsewhere. I believe
it is extremely doubtful if the originals in private hands will ever
see the light of day, goodness knows I tried! From 1935- 1939 there is
the extraordinary "Munro archive" described in more detail
later. Munro was the only television producer employed by BBC
television before the outbreak of WWII. His archive is again unique,
I'm sorry there is no other word for it. This material is not duplicated
in the BBC archives - I have that on the authority of the late Lord
Asa Briggs, who was the "Official Historian of the BBC" and
wrote the "Official History of the BBC" in several volumes.
He read through the archive at my home. Munro's personal scrapbook (complete
with a Christmas card from Eustace Robb and numerous letters and memos
with famous autographs) runs from 1926. He was the second person appointed
to the staff of the BBC television department in 1935 after the head
of the department, Gerald Cock. The archive covers how the opening of
the television service on 2 November 1936 was organised, managed and
transmitted with the original papers, memos and instructions together
with comments written while on air. Through it the increasing sophistication
of the production of television from inception through to the outbreak
of the war can be observed simply by reading this archive in sequence.
Finally if you wish to look the technical side of the Alexandra Palace
transmitter, the library contains an early numbered copy of the BBC "Black
Book" with all the technical details and schematics in sections,
for the different systems that together made up the complete Alexandra
Palace transmitter, all sections except the post war introduction are dated
in the 1930s. Splitting the library will break this complete chain of
unrepeatable research material from 1930 - 1939 into pieces. There are
many examples of "chains" I could give but instead I would
like to point readers to the web. Any search of on the history of television
brings up the website www.tv.history.tv. It is used by schools and
collages around the world for media study courses as a "standard
text" and by hundreds of thousands of other individuals in over
a hundred countries round the world. Most of the site was created using
only a fraction of the information contained in the library.
The library will be offered for sale complete in the first instance and if it fails to reach its reserve, it will offered in three lots:
- All British
- All US
- France and Germany
If any of these sections fail to meet
their reserves, the library will then be sold off in lots as itemised
in the Bonhams sale catalogue.
If that
happens its value as a unique research resource will be decimated
for ever.
******************************
Printed below is the catalogue index
of the Early Technology Television Library. The full contents of each
section e.g. each US magazine by name and issue date, can be accessed
by clicking on the appropriate category. Only original material is listed
(except for the Eustace Robb diaries and programmes), but the library
also includes photocopies of relevant additional material that I used
in my researches, mainly in the files covering individual television
manufacturers in the UK and USA which are included in these lots.
Early Technology library Index
Part 1
Section 1 | UK Television Magazines
Section 2 | UK Television Programmes
Section 3 | UK Mechanical Television Sales Literature, Instructions Etc.
Section 4 | UK Television Sales Literature
Section 5 | UK Television Books
Section 6 | UK Television Instructions, Service Booklets & Schematics
Section 8 | US Television Magazines
Section 9 | US Television Sales Literature
Section 10 | US Television Books
Section 11 | US Television Instructions, Service Booklets & Schematics
Section 12 | US Colour Television Publications
Section 13 | US - Miscellaneous
Section 14 | US Mechanical Television
Section 16 | French Sales Literature
Section 18 | French Miscellaneous
Magazine Analysis U.K.
| Year |
Television | Practical Wireless & Practical TV | The Wireless World | The Television Trader | The Listener | Discovery | Practical Mechanics | Popular Wireless &Practical TV Times | Radio Times |
| 1926 | X | ||||||||
| 1927 | X | ||||||||
| 1928 | X | X | X | ||||||
| 1929 | X | ||||||||
| 1930 | X | ||||||||
| 1931 | X | X | |||||||
| 1932 | X | X | |||||||
| 1933 | X | X | X | ||||||
| 1934 | X | X | |||||||
| 1935 | X | X | |||||||
| 1936 | X | X | X | X | |||||
| 1937 | X | X | X | X | X | ||||
| 1938 | X | X | X | X | |||||
| 1939 | X | X | X | X | |||||
| 1940 | X | X | |||||||
| 1941 | X | X | |||||||
| 1942 | X | X | |||||||
| 1943 | X | ||||||||
| 1944 | X | ||||||||
| 1945 | X | ||||||||
| 1946 | X | X | |||||||
| 1947 | X | X | X | ||||||
| 1948 | X | X | X | ||||||
| 1949 | X | X | |||||||
| 1950 | X | X | X | ||||||
| 1951 | X | X | X | ||||||
| 1952 | X | X | X | ||||||
| 1953 | X | X | |||||||
| 1954 | X | ||||||||
| 1955 | X | ||||||||
| 1956 | X | X | |||||||
| 1957 | X | X | |||||||
| 1958 | X | X | |||||||
| 1959 | X | X | |||||||
| 1960 | X | ||||||||
| 1961 | X | ||||||||
| 1962 | X | X | |||||||
| 1963 | X | X | |||||||
| 1964 | X | X |
Magazine Analysis U.S.A.
| Electronics | Fortune | Popular Science Monthly | Radio | Radio & Appliance Journal | Radio Broadcast | Radio Craft | Radio Electronics | Radio Design | Radio & Television News | Radio & Television Retailing | Radio & Television Today | Radio Review & TV News | Science & Innovation | Radio and Television | Television News | The Parts Jobber | Citizens Radio call Book Magazine | Television | Theatre Guild Magazine | Science & Mechanics | Popular Mechanics | House & Garden | Coomunications incl. TV Engineering | |
| 1926 | X | X | ||||||||||||||||||||||
| 1927 | X | |||||||||||||||||||||||
| 1928 | X | X | X | X | X | X | ||||||||||||||||||
| 1929 | X | X | X | |||||||||||||||||||||
| 1930 | X | X | X | |||||||||||||||||||||
| 1931 | X | X | X | X | X | X | ||||||||||||||||||
| 1932 | X | X | X | X | ||||||||||||||||||||
| 1933 | X | X | X | |||||||||||||||||||||
| 1934 | X | X | X | |||||||||||||||||||||
| 1935 | X | X | X | X | ||||||||||||||||||||
| 1936 | X | X | X | |||||||||||||||||||||
| 1937 | X | X | X | X | X | X | ||||||||||||||||||
| 1938 | X | X | X | X | X | X | ||||||||||||||||||
| 1939 | X | X | X | X | X | X | X | |||||||||||||||||
| 1940 | X | X | X | X | ||||||||||||||||||||
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| 1946 | X | X | X | |||||||||||||||||||||
| 1947 | X | X | X | X | ||||||||||||||||||||
| 1948 | X | X | X | X | X | X | ||||||||||||||||||
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| 1958 | X | |||||||||||||||||||||||
| 1959 | X | X |


circa 1930
A Baird Televisor window display model on the Plessey design,
with a textured monochrome portrait of John Logie Baird on a 3.1/2in. lantern slide in viewing aperture. It is lit from behind by a bulb with an orange and black line-drum "lamp shade" suspended from heat-wheel and gives a remarkably realistic impression of a working Televisor with the orange and black scanning lines moving across Baird's portrait. The lamp shade can be set in motion if necessary by blowing into a fixed rubber tube shown below in the photo, but usually it starts rotating by itself as the bulb heats up 28in. (71.5cm) wide
circa 1932
A rare German Weiler vertical mirror-drum television assembly, 230 volt AC induction motor with oil filled drum.




























